A reverberatory furnace is a metallurgical or process furnace that isolates the material being processed from contact with the fuel, but not from contact with combustion gases. The term reverberation is used here in a generic sense of rebounding or reflecting, not in the acoustic sense of echoing.
Chemistry determines the optimum relationship between the fuel and the material, among other variables. The reverberatory furnace can be contrasted on the one hand with the blast furnace, in which fuel and material are mixed in a single chamber, and, on the other hand, with crucible, muffling, or retort furnaces, in which the subject material is isolated from the fuel and all of the products of combustion including gases and flying ash. There are, however, a great many furnace designs, and the terminology of metallurgy has not been very consistently defined, so it is difficult to categorically contradict other views.
Applications and comparison with blast furnace
The applications of these devices fall into two general categories, metallurgical melting furnaces, and lower temperature processing furnaces typically used for metallic ores and other minerals.
A reverberatory furnace is at a disadvantage from the standpoint of efficiency compared to a blast furnace due to the spatial separation of the burning fuel and the subject material, and it is necessary to effectively utilize both reflected radiant heat and direct contact with the exhaust gases (convection) to maximize heat transfer. Historically these furnaces have used solid fuel, and bituminous coal has proven to be the best choice. The brightly visible flames (due to the substantial volatile component) give more radiant heat transfer than anthracite coal or charcoal. Contact with the products of combustion, which may add undesirable elements to the subject material, is used to advantage in some processes. Control of the fuel/air balance can alter the exhaust gas chemistry toward either an oxidizing or a reducing mixture, and thus alter the chemistry of the material being processed. For example, cast iron can be puddled in an oxidizing atmosphere to convert it to the lower-carbon mild steel or bar iron. The Siemens-Martin oven in open hearth steelmaking is also a reverberatory furnace.
Reverberatory furnaces (in this context, usually called air furnaces) were formerly also used for melting brass, bronze, and pig iron for foundry work. They were also, for the first 75 years of the 20th century, the dominant smelting furnace used in copper production, treating either roasted calcine or raw copper sulfide concentrate. While they have been supplanted in this role, first by flash furnaces and more recently also by the Ausmelt and ISASMELT furnaces, as they are very effective at producing slags with low copper losses.
The first reverberatory furnaces were perhaps in the medieval period, and were used for melting bronze for casting bells. They were first applied to smelting metals in the late 17th century. Sir Clement Clerke and his son Talbot built cupolas or reverberatory furnaces in the Avon Gorge below Bristol in about 1678. In 1687, while obstructed from smelting lead (by litigation), they moved on to copper. In the following decades, reverberatory furnaces were widely adopted for smelting these metals and also tin. They had the advantage over older methods that the fuel was mineral coal, not charcoal or 'white coal' (chopped dried wood).
In the 1690s, they (or associates) applied the reverberatory furnace (in this case known as an air furnace) to melting pig iron for foundry purposes. This was used at Coalbrookdale and various other places, but became obsolete at the end of the 18th century with the introduction of the foundry cupola, which was a kind of small blast furnace, and a quite different species from the reverberatory furnace.
The simplest reverberatory furnace is nothing more than a steel box lined with alumina refractory brick with a flue at one end and a vertically lifting door at the other. Conventional oil or gas burners are placed usually on either side of the furnace to heat the brick and the eventual bath of molten metal is then poured into a casting machine to produce ingots.
- W G Davenport, "Copper extraction from the 60s into the 21st century," in: Proceedings of the Copper 99–Cobre 99 International Conference. Volume I—Plenary Lectures/Movement of Copper and Industry Outlook/Copper Applications and Fabrication, Eds G A Eltringham, N L Piret and M Sahoo (The Minerals, Metals and Materials Society: Warrendale, Pennsylvania, 1999), 55–79.
- J L Bill, T E Briffa, A S Burrows, C R Fountain, D Retallick, J M I Tuppurainen, J S Edwards, and P Partington, "Isasmelt—Mount Isa copper smelter progress update," in: Sulfide Smelting 2002, Eds R L Stephens and H Y Sohn (The Minerals, Metals and Materials Society: Warrendale, Pennsylvania), 2002, 181–193.
- Japanese studied with the book then built furnace, book titled The Casting Processes at the National Iron Cannon Foundry in Luik (present-day Liège), 1826 written by Huguenin Ulrich(1755-1833) Ref:Science and industry:Ulrich Huguenin (1755-1833) and http://d-arch.ide.go.jp/je_archive/society/wp_je_unu8.html
- Encyclopædia Britannica, 14th ed.
- J. Day & R. F. Tylecote (eds.), The Industrial Revolution in Metals (1991)
- P. W. King, "The Cupola at Bristol", Somerset Araeology and Natural History 140 (for 1997), 37–52.
- P. W. King, "Sir Clement Clerke and the Adoption of coal in metallurgy", Transactions of the Newcomen Society 73(1) (2001–2), 33–53.